Aurora#FF00B3, a warm vivid magenta

At a glanceAurora is #FF00B3, oklch(66.3% 0.280 347.1), a warm vivid magenta, fully saturated at the sRGB gamut edge for its hue. Pair it with a cool light blue #60BAE5 as an accent, a warm medium scarlet #E1704A for harmony, and a warm pale purple #9F8A94 as a neutral. Try it as a screen-first brand or accent color, and it takes black text at AA contrast. It shifts further on press than a run can hold, though, so Rhapsody would keep it off print-led brand work.
Color codes

Aurora in RGB, HSL, OKLCH & more

Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.

ff00b3.css
:root { /* how your code speaks it */ /* how your eyes measure it */ /* how the lab measures it, D65 2° */}/* tailwind v4 */

ART is Rhapsody's perceptual model. How ART works

The name

Why is it called Aurora?

Aurora's meaning, origin, and pronunciation, with sources.

Anchor: A70 · one of the 72 anchor hues of ART

Origin: Latin, from the Indo-European dawn root that also gives east and Easter

Meaning: The Roman goddess of dawn

uh-ROR-uh · /əˈrɔːrə/

Proto-Indo-European *h₂ews-, "to shine, to dawn" → Latin aurōra, the goddess of dawn, whom the Greeks called Eos → English Aurora.

The same ancient root, traveling down other branches, produced east, the direction where dawn happens, and Easter, by way of Ēostre, the Germanic dawn goddess. One root: a goddess, a compass point and a holiday.

The scientific afterlife adds a fourth. Aurora borealis, "northern dawn," is a phrase whose authorship was corrected only in 1978, when the space physicist George Siscoe showed that the usual credit to Gassendi in 1621 is a misattribution. The phrase first appears in 1619, in a work probably by Galileo.

So the polar lights were named by Galileo, after a goddess, from the root of Easter. And her pink is the first color of every day.

etymonline s.v. aurora, east, Easter; Siscoe, Eos (AGU) 1978. Etymological dictionaries + scholarly sources.

Tints & shades

Shades of Aurora, lighter and darker

For hover states, washed backgrounds, and dark surfaces that still read as #FF00B3. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, aurora-500.

Tints (light surfaces; dark text passes on every one)

Midtones (the color at full strength, for brand & accent work)

Shades (dark surfaces; light text passes on every one)

Rhapsody Palette

Most tools mix. Rhapsody measures.

Paste any color. The whole system comes back, contrast-checked before you see it.

Build your palette free

The window on the right was generated from #FF00B3, like this whole page.

Accessibility

Is Aurora accessible? Contrast with white & black

Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #FF00B3 passes AA. For AAA, use its scale. Every strip below is one surface, and the marks are the steps that reach AAA on it.

Rows are text, columns are background · 60 of 210 pairings reach WCAG 2.2 AAA, shown here.

Rhapsody Palette

Ship the audit, not screenshots.

Run #FF00B3 against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.

Get the full audit

The audit on the right was calibrated from #FF00B3, like this whole page.

Print

Aurora in CMYK: one value for files, one per press

This color shifts further than a press run can hold, so expect a visible difference. The pairs below show where each standard lands.

In CMYK, #FF00B3 is . That is the value design tools and file formats use when no press is involved.

On press (what each standard prints)

CGATS21 CRPC1 (coldset news) shifts on press
on screenon press

shifts ΔE00 12.4, 5.0× the 2.5 a run varies by

GRACoL 2013 Uncoated (CRPC3) shifts on press
on screenon press

shifts ΔE00 9.6, 3.9× the 2.5 a run varies by

GRACoL 2013 (CRPC6) shifts on press
on screenon press

shifts ΔE00 8.2, 3.3× the 2.5 a run varies by

PSO Coated v3 (FOGRA51) shifts on press
on screenon press

shifts ΔE00 9.0, 3.6× the 2.5 a run varies by

Coated FOGRA39 shifts on press
on screenon press

shifts ΔE00 7.8, 3.1× the 2.5 a run varies by

Japan Color 2011 Coated shifts on press
on screenon press

shifts ΔE00 7.8, 3.1× the 2.5 a run varies by

APTEC Flexo Coated shifts on press
on screenon press

shifts ΔE00 8.8, 3.5× the 2.5 a run varies by

CGATS21 CRPC7 (extended gamut) shifts on press
on screenon press

shifts ΔE00 6.9, 2.8× the 2.5 a run varies by

Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get.

Rhapsody Converter · coming soon

No surprises at the printer.

Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.

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The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.

The Auroras

Colors similar to Aurora

The Roman goddess of dawn

Here are other colors similar to Aurora along with accessible text pairings and whether or not they're print-safe. Explore The Magentas

Bright PinkBright Pink#FE01B1black text · AA✕ shifts on press
Shocking PinkShocking Pink#FE02A2black text · AA✕ shifts on press
RoseRose#FF009Fblack text · AA✕ shifts on press
Hollywood CeriseHollywood Cerise#F400A1black text · AA✕ shifts on press
Persian RosePersian Rose#FE28A2black text · AA✕ shifts on press
Neon PinkNeon Pink#FE019Ablack text · AA✕ shifts on press
Deep PinkDeep Pink#FF1493black text · AA✕ shifts on press
Electric PinkElectric Pink#FF0490black text · AA✕ shifts on press
Wild StrawberryWild Strawberry#FF3399black text · AA✕ shifts on press
BerryBerry#FF008Cblack text · AA✕ shifts on press
Barbie PinkBarbie Pink#FE46A5black text · AA✕ shifts on press
Strong PinkStrong Pink#FF0789black text · AA✕ shifts on press
Brilliant RoseBrilliant Rose#F653A6black text · AA✕ shifts on press
PhoenixPhoenix#FF0077black text · AA✕ shifts on press
French RoseFrench Rose#F64A8Ablack text · AA✕ shifts on press
Hot PinkHot Pink#FF69B4black text · AAA✕ shifts on press
Bubble Gum PinkBubble Gum Pink#FF69AFblack text · AAA✕ shifts on press
Darkish PinkDarkish Pink#DA467Dblack text · AA✓ prints exactly
Warm PinkWarm Pink#FB5581black text · AA✕ shifts on press
Medium Violet RedMedium Violet Red#C71585white text · AA! within tolerance
Dark Hot PinkDark Hot Pink#D90166white text · AA! within tolerance
CeriseCerise#DE0C62white text · AA! within tolerance
CabaretCabaret#D94972black text · AA✓ prints exactly
Cerise RedCerise Red#DE3163black text · AA✓ prints exactly
Medium Red VioletMedium Red Violet#BB3385white text · AA✓ prints exactly
FlirtFlirt#A2006Dwhite text · AAA✕ shifts on press
Purplish RedPurplish Red#B0054Bwhite text · AAA✕ shifts on press
Jazzberry JamJazzberry Jam#A50B5Ewhite text · AAA✕ shifts on press
Red VioletRed Violet#9E0168white text · AAA✕ shifts on press
Violet RedViolet Red#A50055white text · AAA✕ shifts on press
Fresh EggplantFresh Eggplant#990066white text · AAA✕ shifts on press
Pairings

Colors that go with Aurora

The complementary color, straight across the wheel, is a cool bright aqua #77E7E6. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.

The accent is for the moments that need attention, the harmony for the ones that need calm; the neutral carries the text and surfaces in between.

Downloads

Take Aurora with you

The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.

Aurora color codes: hex #FF00B3, RGB, HSL, CMYK, and OKLCH, from Rhapsody
Paste it anywhere without coming back for it.
The full tonal scale of Aurora, 13 steps from light to dark with every hex, from Rhapsody
Reach for the right depth instead of the one you have.
Aurora paired with a cool light blue #60BAE5, a warm medium scarlet #E1704A, a warm pale purple #9F8A94: hex values and roles, from Rhapsody
Open a palette that already works together.
One free account

Your system is already built.

Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.

This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.

Every color on this page was calibrated, not mixed.

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