Potters Clay#8C5738, a warm bold brown
Potters Clay in RGB, HSL, OKLCH & more
Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.
ART is Rhapsody's perceptual model. How ART works
What kind of brown is Potters Clay?
Every color has a place in the standard vocabulary. This is Potters Clay's, measured rather than asserted.
Potters Clay's Munsell numbers: hue 4.2YR, value 4.1 (how light), chroma 5.6 (how vivid). That places it in ISCC-NBS block strong brown, one of 267 named ranges the standard sorts every color into. Chroma 5.6 is low. This is a greyed, muted brown, nearer neutral than vivid, which is why it reads as a surface rather than an accent.
There's still some room before it hits the edge of what your screen can show for this hue. It could go a little more saturated and stay in gamut.
Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.
Shades of Potters Clay, lighter and darker
For hover states, washed backgrounds, and dark surfaces that still read as #8C5738. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, potters-clay-700.
Tints (light surfaces; dark text passes on every one)
Midtones (the color at full strength, for brand & accent work)
Shades (dark surfaces; light text passes on every one)
Most tools mix. Rhapsody measures.
Paste any color. The whole system comes back, contrast-checked before you see it.
The window on the right was generated from #8C5738, like this whole page.
Is Potters Clay accessible? Contrast with white & black
Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. White text on #8C5738 passes AA. For AAA, use its scale. Every strip below is one surface, and the marks are the steps that reach AAA on it.
Rows are text, columns are background · 60 of 210 pairings reach WCAG 2.2 AAA, shown here.
Ship the audit, not screenshots.
Run #8C5738 against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.
The audit on the right was calibrated from #8C5738, like this whole page.
Potters Clay in CMYK: one value for files, one per press
Every held press standard prints this color exactly as it is.
In CMYK, #8C5738 is . That is the value design tools and file formats use when no press is involved.
On press (what each standard prints)
shifts ΔE00 10.2, 4.1× the 2.5 a run varies by
shifts ΔE00 5.8, 2.3× the 2.5 a run varies by
Press values computed through the ICC characterization data each standard proofs against. Each CMYK held to prints the color exactly.
No surprises at the printer.
Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.
The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.
Colors similar to Potters Clay
Here are other colors similar to Potters Clay along with accessible text pairings and whether or not they're print-safe. Explore The Browns
| Rope | Rope | #8E4D1E | white text · AA | ! within tolerance |
| Bull Shot | Bull Shot | #864D1E | white text · AA | ! within tolerance |
| Sepia | Sepia | #985E2B | white text · AA | ✓ prints exactly |
| Sienna | Sienna | #A0522D | white text · AA | ✓ prints exactly |
| Korma | Korma | #8F4B0E | white text · AA | ✕ shifts on press |
| Warm Brown | Warm Brown | #964E02 | white text · AA | ✕ shifts on press |
| Hawaiian Tan | Hawaiian Tan | #9D5616 | white text · AA | ✕ shifts on press |
| Milk Chocolate | Milk Chocolate | #7F4E1E | white text · AA | ! within tolerance |
| Chelsea Gem | Chelsea Gem | #9E5302 | white text · AA | ✕ shifts on press |
| Saddle Brown | Saddle Brown | #8B4513 | white text · AAA | ✕ shifts on press |
| Oregon | Oregon | #9B4703 | white text · AA | ✕ shifts on press |
| Paarl | Paarl | #A65529 | white text · AA | ✓ prints exactly |
| Burnt Umber | Burnt Umber | #A0450E | white text · AA | ✕ shifts on press |
| Rich Gold | Rich Gold | #A85307 | white text · AA | ✕ shifts on press |
| Cinnamon | Cinnamon | #AC4F06 | white text · AA | ✕ shifts on press |
| Burnt Sienna | Burnt Sienna | #B04E0F | white text · AA | ✕ shifts on press |
| Walnut | Walnut | #773F1A | white text · AAA | ✕ shifts on press |
| Copper Canyon | Copper Canyon | #7E3A15 | white text · AAA | ✕ shifts on press |
| Peru Tan | Peru Tan | #7F3A02 | white text · AAA | ✕ shifts on press |
| Red Beech | Red Beech | #7B3801 | white text · AAA | ✕ shifts on press |
| Nutmeg Wood Finish | Nutmeg Wood Finish | #683600 | white text · AAA | ✕ shifts on press |
| Chestnut | Chestnut | #742802 | white text · AAA | ✕ shifts on press |
| Hairy Heath | Hairy Heath | #6B2A14 | white text · AAA | ✕ shifts on press |
Colors that go with Potters Clay
The complementary color, straight across the wheel, is a cool light blue #6E94C3. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.
The accent is for the moments that need attention, the harmony for the ones that need calm; the neutral carries the text and surfaces in between.
Take Potters Clay with you
The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.
Your system is already built.
Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.
This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.
Every color on this page was calibrated, not mixed.
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