Holly#011D13, a cool-leaning midnight teal
Holly in RGB, HSL, OKLCH & more
Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.
ART is Rhapsody's perceptual model. How ART works
What kind of teal is Holly?
Every color has a place in the standard vocabulary. This is Holly's, measured rather than asserted.
Holly's Munsell numbers - the industry way of describing hue, value (how light), and chroma (how vivid) - come up one short. Value reads 0.8. Hue and chroma don't, because the reference data behind that math thins out at the very light and very dark ends of the scale, and at value 0.8 it runs dry before the math converges. Printing a hue or chroma here would be invented, not measured, so Rhapsody leaves them blank. ISCC-NBS, the standard built on top of Munsell that sorts every color into one of 267 named ranges, still places this one in very dark green, by its nearest match.
Nothing else on this page leans on that missing number. The tonal scale, the pairings, and the press comparison below all come from separate measurements, and they land on Holly just fine. It's the notation that runs dry here, not the color.
Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.
Shades of Holly, lighter and darker
For hover states, washed backgrounds, and dark surfaces that still read as #011D13. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, holly-975.
Tints (light surfaces; dark text passes on every one)
Midtones (the color at full strength, for brand & accent work)
Shades (dark surfaces; light text passes on every one)
Most tools mix. Rhapsody measures.
Paste any color. The whole system comes back, contrast-checked before you see it.
The window on the right was generated from #011D13, like this whole page.
Is Holly accessible? Contrast with white & black
Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. White text on #011D13 clears WCAG AAA. Every strip below is one surface, and the marks are the steps that reach AAA on it.
Rows are text, columns are background · 64 of 210 pairings reach WCAG 2.2 AAA, shown here.
Ship the audit, not screenshots.
Run #011D13 against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.
The audit on the right was calibrated from #011D13, like this whole page.
Holly in CMYK: one value for files, one per press
This color shifts further than a press run can hold, so expect a visible difference. The pairs below show where each standard lands.
In CMYK, #011D13 is . That is the value design tools and file formats use when no press is involved.
On press (what each standard prints)
shifts ΔE00 26.6, 10.6× the 2.5 a run varies by
shifts ΔE00 19.0, 7.6× the 2.5 a run varies by
shifts ΔE00 6.9, 2.8× the 2.5 a run varies by
shifts ΔE00 6.7, 2.7× the 2.5 a run varies by
Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get.
No surprises at the printer.
Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.
The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.
Colors similar to Holly
Here are other colors similar to Holly along with accessible text pairings and whether or not they're print-safe. Explore The Teals
| Black Bean | Black Bean | #081910 | white text · AAA | ✕ shifts on press |
| Aztec | Aztec | #0D1C19 | white text · AAA | ✕ shifts on press |
| Green Waterloo | Green Waterloo | #101405 | white text · AAA | ✕ shifts on press |
| Pine Tree | Pine Tree | #171F04 | white text · AAA | ✕ shifts on press |
| Black Forest | Black Forest | #0B1304 | white text · AAA | ✕ shifts on press |
Colors that go with Holly
The complementary color, straight across the wheel, is a warm-leaning rich pink #C277B7. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.
The accent is for the moments that need attention, the harmony for the ones that need calm; the vivid is the same color with the volume up, for when it has to shout.
Take Holly with you
The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.
Your system is already built.
Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.
This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.
Every color on this page was calibrated, not mixed.
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