Ghost White#F8F8FF, a cool-leaning bright violet

At a glanceGhost White is #F8F8FF, oklch(98.1% 0.009 286.2), a cool-leaning bright violet, also known as ghostwhite. Match it with a warm pale gold #DFC596 as an accent, a cool medium blue #5779AF for harmony, and a cool-leaning vivid violet #866FFF the same color turned up. Put it to work as a light surface, a tinted neutral, or an info color, and it takes black text at AA contrast. It's lighter than the paper, though, so no coated press can reach it. The brightest thing on a sheet is the sheet.
Color codes

Ghost White in RGB, HSL, OKLCH & more

Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.

f8f8ff.css
:root { /* how your code speaks it */ /* how your eyes measure it */ /* how the lab measures it, D65 2° */}/* tailwind v4 */

ART is Rhapsody's perceptual model. How ART works

Color family

What kind of violet is Ghost White?

Every color has a place in the standard vocabulary. This is Ghost White's, measured rather than asserted.

Ghost White's Munsell numbers: hue 9.5PB, value 9.8 (how light), chroma 5.0 (how vivid). That places it in ISCC-NBS block very light violet, one of 267 named ranges the standard sorts every color into. Chroma 5.0 is low. This is a greyed, muted violet, nearer neutral than vivid, which is why it reads as a surface rather than an accent.

It's already at the edge of what your screen can show for this hue. This color can't go any more saturated and still render.

Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.

Tints & shades

Shades of Ghost White, lighter and darker

For hover states, washed backgrounds, and dark surfaces that still read as #F8F8FF. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, ghost-white-50.

Tints (light surfaces; dark text passes on every one)

Midtones (the color at full strength, for brand & accent work)

Shades (dark surfaces; light text passes on every one)

Rhapsody Palette

Most tools mix. Rhapsody measures.

Paste any color. The whole system comes back, contrast-checked before you see it.

Build your palette free

The window on the right was generated from #F8F8FF, like this whole page.

Accessibility

Is Ghost White accessible? Contrast with white & black

Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #F8F8FF clears WCAG AAA. Every strip below is one surface, and the marks are the steps that reach AAA on it.

Rows are text, columns are background · 68 of 210 pairings reach WCAG 2.2 AAA, shown here.

Rhapsody Palette

Ship the audit, not screenshots.

Run #F8F8FF against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.

Get the full audit

The audit on the right was calibrated from #F8F8FF, like this whole page.

Print

Ghost White in CMYK: one value for files, one per press

None of these presses can print this color. It's lighter than the paper, and ink only darkens a sheet, so the brightest thing on a printed page is the page itself. So what do you do? Pick a brighter stock, or let the paper be your lightest tone and build the contrast somewhere else.

In CMYK, #F8F8FF is . That is the value design tools and file formats use when no press is involved.

On press (what each standard prints)

CGATS21 CRPC1 (coldset news) can’t be reached
on screenon press

brighter than paper · no ink reaches it

GRACoL 2013 Uncoated (CRPC3) can’t be reached
on screenon press

brighter than paper · no ink reaches it

GRACoL 2013 (CRPC6) can’t be reached
on screenon press

brighter than paper · no ink reaches it

PSO Coated v3 (FOGRA51) can’t be reached
on screenon press

brighter than paper · no ink reaches it

Coated FOGRA39 can’t be reached
on screenon press

brighter than paper · no ink reaches it

Japan Color 2011 Coated can’t be reached
on screenon press

brighter than paper · no ink reaches it

APTEC Flexo Coated can’t be reached
on screenon press

brighter than paper · no ink reaches it

CGATS21 CRPC7 (extended gamut) can’t be reached
on screenon press

brighter than paper · no ink reaches it

Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get. None of them reaches the color. It sits above the paper's own white.

Rhapsody Converter · coming soon

No surprises at the printer.

Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.

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The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.

The Ghost Whites

Colors similar to Ghost White

This color sits solidly in the middle of The Violets. Explore The Violets

The row runs cooler on the left, warmer on the right.

The wheel's warm pole sits near Pumpkin, its cool pole near Goluboy.

Pairings

Colors that go with Ghost White

The complementary color, straight across the wheel, is a warm-leaning light lime #EFF4B2. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.

The accent is for the moments that need attention, the harmony for the ones that need calm; the vivid is the same color with the volume up, for when it has to shout.

Downloads

Take Ghost White with you

The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.

Ghost White color codes: hex #F8F8FF, RGB, HSL, CMYK, and OKLCH, from Rhapsody
Paste it anywhere without coming back for it.
The full tonal scale of Ghost White, 13 steps from light to dark with every hex, from Rhapsody
Reach for the right depth instead of the one you have.
Ghost White paired with a warm pale gold #DFC596, a cool medium blue #5779AF, a cool-leaning vivid violet #866FFF: hex values and roles, from Rhapsody
Open a palette that already works together.
One free account

Your system is already built.

Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.

This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.

Every color on this page was calibrated, not mixed.

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