#998701a warm rich lemon

At a glance#998701, oklch(62.1% 0.129 99.8), is a warm rich lemon, a near match for Medusa Green #998800 or Quagmire Green #998811. Pair it with a cool vivid blue #3D76D6 as an accent, a warm medium orange #D47A4D for harmony, and a warm faint gold #E0DED1 as a neutral. Try it as a screen-first brand or accent color, and it takes black text at AA contrast. It shifts further on press than a run can hold, though, so Rhapsody would keep it off print-led brand work.
Color codes

#998701 in RGB, HSL, OKLCH & more

Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.

998701.css
:root { /* how your code speaks it */ /* how your eyes measure it */ /* how the lab measures it, D65 2° */}/* tailwind v4 */

ART is Rhapsody's perceptual model. How ART works

Color family

What kind of yellow is #998701?

Every color has a place in the standard vocabulary. This is #998701's, measured rather than asserted.

#998701's Munsell numbers: hue 7.1Y, value 5.5 (how light), chroma 8.4 (how vivid). That places it in ISCC-NBS block deep greenish yellow, one of 267 named ranges the standard sorts every color into. Chroma 8.4 is moderate. Clearly colored, but not so saturated it fights the colors around it.

There's still some room before it hits the edge of what your screen can show for this hue. It could go a little more saturated and stay in gamut.

Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.

Tints & shades

Shades of #998701, lighter and darker

For hover states, washed backgrounds, and dark surfaces that still read as #998701. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, lemon-600.

Tints (light surfaces; dark text passes on every one)

Midtones (the color at full strength, for brand & accent work)

Shades (dark surfaces; light text passes on every one)

Rhapsody Palette

Most tools mix. Rhapsody measures.

Paste any color. The whole system comes back, contrast-checked before you see it.

Build your palette free

The window on the right was generated from #998701, like this whole page.

Accessibility

Is #998701 accessible? Contrast with white & black

Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #998701 passes AA. For AAA, use its scale. Every strip below is one surface, and the marks are the steps that reach AAA on it.

Rows are text, columns are background · 68 of 210 pairings reach WCAG 2.2 AAA, shown here.

Rhapsody Palette

Ship the audit, not screenshots.

Run #998701 against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.

Get the full audit

The audit on the right was calibrated from #998701, like this whole page.

Print

#998701 in CMYK: one value for files, one per press

This color shifts further than a press run can hold, so expect a visible difference. The pairs below show where each standard lands.

In CMYK, #998701 is . That is the value design tools and file formats use when no press is involved.

On press (what each standard prints)

CGATS21 CRPC1 (coldset news) shifts on press
on screenon press

shifts ΔE00 11.6, 4.7× the 2.5 a run varies by

GRACoL 2013 Uncoated (CRPC3) shifts on press
on screenon press

shifts ΔE00 8.6, 3.4× the 2.5 a run varies by

GRACoL 2013 (CRPC6) within tolerance
on screenon press

shifts ΔE00 1.7, under the 2.5 a press run varies by

PSO Coated v3 (FOGRA51) within tolerance
on screenon press

shifts ΔE00 1.0, under the 2.5 a press run varies by

Coated FOGRA39 within tolerance
on screenon press

shifts ΔE00 1.2, under the 2.5 a press run varies by

Japan Color 2011 Coated shifts on press
on screenon press

shifts ΔE00 3.9, 1.5× the 2.5 a run varies by

APTEC Flexo Coated within tolerance
on screenon press

shifts ΔE00 1.4, under the 2.5 a press run varies by

CGATS21 CRPC7 (extended gamut) prints exactly
on screenon press

in gamut · no shift

Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get.

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The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.

The Lemons

Colors similar to #998701

This color sits in The Lemons, close to the border with The Khakis. Explore The Lemons

The row runs warmer on the left, cooler on the right.

The wheel's warm pole sits near Pumpkin, its cool pole near Goluboy.

Named colors near this one: Medusa Green #998800 (via color-name-list) · Quagmire Green #998811 (via color-name-list) · Captain Kirk #9B870C (via color-name-list) · Haldi 600 #9F8900 · Thicket Green #93840F (via color-name-list)

Pairings

Colors that go with #998701

The complementary color, straight across the wheel, is a cool vivid indigo #3E49CD. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.

The accent is for the moments that need attention, the harmony for the ones that need calm; the neutral carries the text and surfaces in between.

Downloads

Take #998701 with you

The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.

#998701 color codes: hex #998701, RGB, HSL, CMYK, and OKLCH, from Rhapsody
Paste it anywhere without coming back for it.
The full tonal scale of #998701, 13 steps from light to dark with every hex, from Rhapsody
Reach for the right depth instead of the one you have.
#998701 paired with a cool vivid blue #3D76D6, a warm medium orange #D47A4D, a warm faint gold #E0DED1: hex values and roles, from Rhapsody
Open a palette that already works together.
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Your system is already built.

Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.

This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.

Every color on this page was calibrated, not mixed.

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