My Sin#FFB31F, a warm bold amber
My Sin in RGB, HSL, OKLCH & more
Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.
ART is Rhapsody's perceptual model. How ART works
What kind of yellow is My Sin?
Every color has a place in the standard vocabulary. This is My Sin's, measured rather than asserted.
My Sin's Munsell numbers: hue 9.5YR, value 7.8 (how light), chroma 12.3 (how vivid). That places it in ISCC-NBS block strong orange yellow, one of 267 named ranges the standard sorts every color into. Chroma 12.3 is moderate. Clearly colored, but not so saturated it fights the colors around it.
It reaches 97% of the way to the edge of your screen's gamut (the palette a screen can actually show) for this hue. Strong, with some headroom left before the screen runs out.
Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.
Shades of My Sin, lighter and darker
For hover states, washed backgrounds, and dark surfaces that still read as #FFB31F. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, my-sin-300.
Tints (light surfaces; dark text passes on every one)
Midtones (the color at full strength, for brand & accent work)
Shades (dark surfaces; light text passes on every one)
Most tools mix. Rhapsody measures.
Paste any color. The whole system comes back, contrast-checked before you see it.
The window on the right was generated from #FFB31F, like this whole page.
Is My Sin accessible? Contrast with white & black
Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #FFB31F clears WCAG AAA. Every strip below is one surface, and the marks are the steps that reach AAA on it.
Rows are text, columns are background · 60 of 210 pairings reach WCAG 2.2 AAA, shown here.
Ship the audit, not screenshots.
Run #FFB31F against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.
The audit on the right was calibrated from #FFB31F, like this whole page.
My Sin in CMYK: one value for files, one per press
Presses move this color a little, by less than a print run varies anyway, so a printer would call it a match. The pairs below show where each standard lands.
In CMYK, #FFB31F is . That is the value design tools and file formats use when no press is involved.
On press (what each standard prints)
shifts ΔE00 7.7, 3.1× the 2.5 a run varies by
shifts ΔE00 4.2, 1.7× the 2.5 a run varies by
shifts ΔE00 1.3, under the 2.5 a press run varies by
shifts ΔE00 1.2, under the 2.5 a press run varies by
shifts ΔE00 1.6, under the 2.5 a press run varies by
shifts ΔE00 1.3, under the 2.5 a press run varies by
shifts ΔE00 1.3, under the 2.5 a press run varies by
shifts ΔE00 0.7, under the 2.5 a press run varies by
Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get, near enough that a press run's own variation is the larger difference.
No surprises at the printer.
Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.
The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.
Colors similar to My Sin
Here are other colors similar to My Sin along with accessible text pairings and whether or not they're print-safe. Explore The Ambers
| Yellow Orange | Yellow Orange | #FCB001 | black text · AAA | ! within tolerance |
| Orange Yellow | Orange Yellow | #FFAD01 | black text · AAA | ! within tolerance |
| Quince | Quince | #FFB800 | black text · AAA | ! within tolerance |
| Orangey Yellow | Orangey Yellow | #FDB915 | black text · AAA | ! within tolerance |
| Amber | Amber | #FFAC00 | black text · AAA | ! within tolerance |
| Sun | Sun | #FBAC13 | black text · AAA | ! within tolerance |
| Yellowish Orange | Yellowish Orange | #FFAB0F | black text · AAA | ! within tolerance |
| Selective Yellow | Selective Yellow | #FFBA00 | black text · AAA | ! within tolerance |
| Butterscotch | Butterscotch | #FDB147 | black text · AAA | ! within tolerance |
| Yellow Sea | Yellow Sea | #FEA904 | black text · AAA | ! within tolerance |
| Buttercup | Buttercup | #F3AD16 | black text · AAA | ✓ prints exactly |
| Squash | Squash | #F2AB15 | black text · AAA | ✓ prints exactly |
| Orange | Orange | #FFA500 | black text · AAA | ! within tolerance |
| Mango | Mango | #FFA62B | black text · AAA | ! within tolerance |
| Light Orange | Light Orange | #FDAA48 | black text · AAA | ! within tolerance |
| Fuel Yellow | Fuel Yellow | #ECA927 | black text · AAA | ✓ prints exactly |
| Orange Peel | Orange Peel | #FFA000 | black text · AAA | ! within tolerance |
| Sea Buckthorn | Sea Buckthorn | #FBA129 | black text · AAA | ! within tolerance |
| Saffron | Saffron | #FF9F00 | black text · AAA | ! within tolerance |
| Gamboge | Gamboge | #E49B0F | black text · AAA | ! within tolerance |
| Fire Bush | Fire Bush | #E89928 | black text · AAA | ✓ prints exactly |
| Dixie | Dixie | #E29418 | black text · AAA | ✓ prints exactly |
Colors that go with My Sin
The complementary color, straight across the wheel, is a cool vivid blue #2858C0. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.
The accent is for the moments that need attention, the harmony for the ones that need calm; the neutral carries the text and surfaces in between.
Take My Sin with you
The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.
Your system is already built.
Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.
This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.
Every color on this page was calibrated, not mixed.
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