Gainsboro#DCDCDC, a faint gray

At a glanceGainsboro is #DCDCDC, oklch(89.4% 0 0), a faint gray, a pure neutral with zero chroma. Anything goes with a neutral, and every color is safe next to it. Its own system still ships four ready signals: a warm vivid red #F3002F, a warm bold amber #E69906, a vivid green #00F069, and a cool vivid blue #2B8AFF. Reach for it as a light surface or a neutral, and it takes black text at AA contrast and prints exactly on coated presses.
Color codes

Gainsboro in RGB, HSL, OKLCH & more

Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.

dcdcdc.css
:root { /* how your code speaks it */ /* how your eyes measure it */ /* how the lab measures it, D65 2° */}/* tailwind v4 */

ART is Rhapsody's perceptual model. How ART works

Color family

What kind of neutral is Gainsboro?

Every color has a place in the standard vocabulary. This is Gainsboro's, measured rather than asserted.

Gainsboro is achromatic. That means no hue at all. Its red, green, and blue channels are equal, so there's no direction for a hue to point in. Only lightness. Munsell writes that as value 8.8 with chroma 0 (chroma is how vivid a color is). ISCC-NBS, the naming standard built on top of Munsell, files it under white.

Because there's no hue to reproduce, a neutral is the one kind of color that survives almost any conversion unchanged. No gamut (the range of colors a screen or a press can actually show) can clip a hue that isn't there.

Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.

Tints & shades

Shades of Gainsboro, lighter and darker

For hover states, washed backgrounds, and dark surfaces that still read as #DCDCDC. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, gainsboro-200.

Tints (light surfaces; dark text passes on every one)

Midtones (the color at full strength, for brand & accent work)

Shades (dark surfaces; light text passes on every one)

Rhapsody Palette

Most tools mix. Rhapsody measures.

Paste any color. The whole system comes back, contrast-checked before you see it.

Build your palette free

The window on the right was generated from #DCDCDC, like this whole page.

Accessibility

Is Gainsboro accessible? Contrast with other neutrals

Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #DCDCDC clears WCAG AAA. Every strip below is one surface, and the marks are the steps that reach AAA on it.

Rows are text, columns are background · 64 of 210 pairings reach WCAG 2.2 AAA, shown here.

Rhapsody Palette

Ship the audit, not screenshots.

Run #DCDCDC against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.

Get the full audit

The audit on the right was calibrated from #DCDCDC, like this whole page.

Print

Gainsboro in CMYK: one value for files, one per press

Every held press standard prints this color exactly as it is.

In CMYK, #DCDCDC is . That is the value design tools and file formats use when no press is involved.

On press (what each standard prints)

CGATS21 CRPC1 (coldset news) prints exactly
on screenon press

in gamut · no shift

GRACoL 2013 Uncoated (CRPC3) prints exactly
on screenon press

in gamut · no shift

GRACoL 2013 (CRPC6) prints exactly
on screenon press

in gamut · no shift

PSO Coated v3 (FOGRA51) prints exactly
on screenon press

in gamut · no shift

Coated FOGRA39 prints exactly
on screenon press

in gamut · no shift

Japan Color 2011 Coated prints exactly
on screenon press

in gamut · no shift

APTEC Flexo Coated prints exactly
on screenon press

in gamut · no shift

CGATS21 CRPC7 (extended gamut) prints exactly
on screenon press

in gamut · no shift

Press values computed through the ICC characterization data each standard proofs against. Each CMYK held to prints the color exactly.

Rhapsody Converter · coming soon

No surprises at the printer.

Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.

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The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.

The Gainsboros

Colors similar to Gainsboro

Here are other colors similar to Gainsboro along with accessible text pairings and whether or not they're print-safe. Explore Grayscale

AltoAlto#DBDBDBblack text · AAA✓ prints exactly
Light GreyLight Grey#D8DCD6black text · AAA✓ prints exactly
WestarWestar#DCD9D2black text · AAA✓ prints exactly
TimberwolfTimberwolf#D9D6CFblack text · AAA✓ prints exactly
Quill GrayQuill Gray#D6D6D1black text · AAA✓ prints exactly
MercuryMercury#E5E5E5black text · AAA✓ prints exactly
GalleryGallery#EFEFEFblack text · AAAlighter than the paper
ConcreteConcrete#F2F2F2black text · AAAlighter than the paper
PampasPampas#F4F2EEblack text · AAAlighter than the paper
Wild SandWild Sand#F4F4F4black text · AAAlighter than the paper
White SmokeWhite Smoke#F5F5F5black text · AAAlighter than the paper
Black HazeBlack Haze#F6F7F7black text · AAAlighter than the paper
Desert StormDesert Storm#F8F8F7black text · AAAlighter than the paper
AlabasterAlabaster#FAFAFAblack text · AAAlighter than the paper
Mint CreamMint Cream#F5FFFAblack text · AAAlighter than the paper
Orchid WhiteOrchid White#FFFDF3black text · AAAlighter than the paper
Quarter Pearl LustaQuarter Pearl Lusta#FFFDF4black text · AAAlighter than the paper
Sugar CaneSugar Cane#F9FFF6black text · AAAlighter than the paper
Pale GreyPale Grey#FDFDFEblack text · AAAlighter than the paper
Rice CakeRice Cake#FFFEF0black text · AAAlighter than the paper
Apricot WhiteApricot White#FFFEECblack text · AAAlighter than the paper
Black WhiteBlack White#FFFEF6black text · AAAlighter than the paper
CeramicCeramic#FCFFF9black text · AAAlighter than the paper
RomanceRomance#FFFEFDblack text · AAAlighter than the paper
IvoryIvory#FFFFF0black text · AAAlighter than the paper
WhiteWhite#FFFFFFblack text · AAAlighter than the paper
Pairings

Colors that go with Gainsboro

Anything. A pure neutral has no complement and nothing sits across the wheel from it, so every color is safe next to #DCDCDC. If you want ready-made signals, its system ships four:

Use them as they are for status and interface work, or bring any brand color you already have; the gray will hold it.

Downloads

Take Gainsboro with you

The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.

Gainsboro color codes: hex #DCDCDC, RGB, HSL, CMYK, and OKLCH, from Rhapsody
Paste it anywhere without coming back for it.
The full tonal scale of Gainsboro, 13 steps from light to dark with every hex, from Rhapsody
Reach for the right depth instead of the one you have.
Gainsboro paired with a warm vivid red #F3002F, a warm bold amber #E69906, a vivid green #00F069: hex values and roles, from Rhapsody
Open a palette that already works together.
One free account

Your system is already built.

Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.

This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.

Every color on this page was calibrated, not mixed.

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