#F02A00a warm vivid scarlet
#F02A00 in RGB, HSL, OKLCH & more
Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.
ART is Rhapsody's perceptual model. How ART works
What kind of orange is #F02A00?
Every color has a place in the standard vocabulary. This is #F02A00's, measured rather than asserted.
#F02A00's Munsell numbers: hue 8.4R, value 5.1 (how light), chroma 18.5 (how vivid). That places it in ISCC-NBS block vivid reddish orange, one of 267 named ranges the standard sorts every color into. Chroma 18.5 is about as saturated as named colors get. Nothing muted shares this block.
It reaches 96% of the way to the edge of your screen's gamut (the palette a screen can actually show) for this hue. Strong, with some headroom left before the screen runs out.
Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.
Shades of #F02A00, lighter and darker
For hover states, washed backgrounds, and dark surfaces that still read as #F02A00. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, scarlet-600.
Tints (light surfaces; dark text passes on every one)
Midtones (the color at full strength, for brand & accent work)
Shades (dark surfaces; light text passes on every one)
Most tools mix. Rhapsody measures.
Paste any color. The whole system comes back, contrast-checked before you see it.
The window on the right was generated from #F02A00, like this whole page.
Is #F02A00 accessible? Contrast with white & black
Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #F02A00 passes AA. For AAA, use its scale. Every strip below is one surface, and the marks are the steps that reach AAA on it.
Rows are text, columns are background · 60 of 210 pairings reach WCAG 2.2 AAA, shown here.
Ship the audit, not screenshots.
Run #F02A00 against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.
The audit on the right was calibrated from #F02A00, like this whole page.
#F02A00 in CMYK: one value for files, one per press
This color shifts further than a press run can hold, so expect a visible difference. The pairs below show where each standard lands.
In CMYK, #F02A00 is . That is the value design tools and file formats use when no press is involved.
On press (what each standard prints)
shifts ΔE00 17.0, 6.8× the 2.5 a run varies by
shifts ΔE00 12.6, 5.0× the 2.5 a run varies by
shifts ΔE00 4.2, 1.7× the 2.5 a run varies by
shifts ΔE00 5.2, 2.1× the 2.5 a run varies by
shifts ΔE00 2.2, under the 2.5 a press run varies by
Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get.
No surprises at the printer.
Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.
The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.
Colors similar to #F02A00
This color sits in The Scarlets, close to the border with The Reds. Explore The Scarlets
The warm pole itself sits in this stretch of the wheel.
Named colors near this one: Rage of Quel’Danas #F32507 (via color-name-list) · tomato red #EC2D01 (via XKCD) · Arcade Fire #EE3311 (via color-name-list) · Gran Torino Red #EE3300 (via color-name-list) · Hestia Red #EE2200 (via color-name-list)
Colors that go with #F02A00
The complementary color, straight across the wheel, is a cool light blue #69B6E7. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.
The accent is for the moments that need attention, the harmony for the ones that need calm; the neutral carries the text and surfaces in between.
Take #F02A00 with you
The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.
Your system is already built.
Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.
This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.
Every color on this page was calibrated, not mixed.
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