Blue Chalk#F1E9FF, a pastel purple
Blue Chalk in RGB, HSL, OKLCH & more
Ready to ship: every line pastes straight into your codebase, and the whole file copies at once.
ART is Rhapsody's perceptual model. How ART works
What kind of purple is Blue Chalk?
Every color has a place in the standard vocabulary. This is Blue Chalk's, measured rather than asserted.
Blue Chalk's Munsell numbers: hue 3.6P, value 9.3 (how light), chroma 4.3 (how vivid). That places it in ISCC-NBS block very pale purple, one of 267 named ranges the standard sorts every color into. Chroma 4.3 is low. This is a greyed, muted purple, nearer neutral than vivid, which is why it reads as a surface rather than an accent.
It's already at the edge of what your screen can show for this hue. This color can't go any more saturated and still render.
Munsell coordinates and block from the ISCC-NBS system, computed by Rhapsody's own renotation inversion.
Shades of Blue Chalk, lighter and darker
For hover states, washed backgrounds, and dark surfaces that still read as #F1E9FF. 13 steps, spaced evenly by eye, with the color itself sitting at its natural depth, blue-chalk-100.
Tints (light surfaces; dark text passes on every one)
Midtones (the color at full strength, for brand & accent work)
Shades (dark surfaces; light text passes on every one)
Most tools mix. Rhapsody measures.
Paste any color. The whole system comes back, contrast-checked before you see it.
The window on the right was generated from #F1E9FF, like this whole page.
Is Blue Chalk accessible? Contrast with white & black
Strong contrast makes your work readable by everyone, and meets the WCAG standard accessibility law points at. AA is the floor; AAA is the tier worth aiming for in body text. Black text on #F1E9FF clears WCAG AAA. Every strip below is one surface, and the marks are the steps that reach AAA on it.
Rows are text, columns are background · 62 of 210 pairings reach WCAG 2.2 AAA, shown here.
Ship the audit, not screenshots.
Run #F1E9FF against the colors you actually ship, every pairing and any target, and export it: exact ratios, the AA tier, APCA, in one file.
The audit on the right was calibrated from #F1E9FF, like this whole page.
Blue Chalk in CMYK: one value for files, one per press
This color shifts further than a press run can hold, so expect a visible difference. The pairs below show where each standard lands.
In CMYK, #F1E9FF is . That is the value design tools and file formats use when no press is involved.
On press (what each standard prints)
shifts ΔE00 3.9, 1.6× the 2.5 a run varies by
shifts ΔE00 4.9, 1.9× the 2.5 a run varies by
shifts ΔE00 4.2, 1.7× the 2.5 a run varies by
shifts ΔE00 3.5, 1.4× the 2.5 a run varies by
shifts ΔE00 3.4, 1.4× the 2.5 a run varies by
Press values computed through the ICC characterization data each standard proofs against. Each CMYK above is the closest that standard can get.
No surprises at the printer.
Run any color through the major press standards: FOGRA51, GRACoL, Japan Color, FOGRA39. It's coming soon. Create a free account and you'll get a note the moment it's live.
The strip shows this page's tints and shades on screen, then through a standard GRACoL 2013 conversion.
Colors similar to Blue Chalk
Here are other colors similar to Blue Chalk along with accessible text pairings and whether or not they're print-safe. Explore The Purples
| Magnolia | Magnolia | #F8F4FF | black text · AAA | lighter than the paper |
| Whisper | Whisper | #F7F5FA | black text · AAA | lighter than the paper |
| White Lilac | White Lilac | #F8F7FC | black text · AAA | lighter than the paper |
| Snuff | Snuff | #E2D8ED | black text · AAA | ! within tolerance |
| Maverick | Maverick | #D8C2D5 | black text · AAA | ✓ prints exactly |
| Thistle | Thistle | #D8BFD8 | black text · AAA | ✓ prints exactly |
| Gray Suit | Gray Suit | #C1BECD | black text · AAA | ✓ prints exactly |
| French Gray | French Gray | #BDBDC6 | black text · AAA | ✓ prints exactly |
Colors that go with Blue Chalk
The complementary color, straight across the wheel, is a light lime #BCE09B. Rhapsody's pick is the split complement, just to one side of it, a livelier pair.
The accent is for the moments that need attention, the harmony for the ones that need calm; the vivid is the same color with the volume up, for when it has to shout.
Take Blue Chalk with you
The work on this page doesn't stay here. Save a card and the color arrives in your file, your deck or your board already decided.
Your system is already built.
Rhapsody built it before you even asked: the scale, the neutrals, the utilities, every pairing calibrated.
This page's whole theme is built from one color. Palette does the same for yours: every step calibrated, every pairing checked, press included.
Every color on this page was calibrated, not mixed.
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